"Most great stories of adventure, from The Hobbit to Seven Pillars of Wisdom, come furnished with a map. That's because every story of adventure is in part the story of landscape, of the interralationship between human beings (or Hobbits, as the case may be) and topography. Every adventure story is conceivable only with refence to a particular set of geographical features that in each case sets the course, literally, of the tale."-Michael Chabon
Tuesday, November 30, 2010
1-What presentation techniques do you notice Gilbert using?
2-How does he catch your attention?
3-How does he use visuals?
4-How do you notice him making/framing his argument?
5-What would you do to improve Gilbert's presentation?
Tuesday, November 16, 2010
Citing your sources-from the OWL at Purdue
from http://owl.english.purdue.edu/owl/resource/747/02/:
Basic In-Text Citation Rules
In MLA style, referring to the works of others in your text is done by using what is known as parenthetical citation. This method involves placing relevant source information in parentheses after a quote or a paraphrase.
General Guidelines
•The source information required in a parenthetical citation depends (1.) upon the source medium (e.g. Print, Web, DVD) and (2.) upon the source’s entry on the Works Cited (bibliography) page.
•Any source information that you provide in-text must correspond to the source information on the Works Cited page. More specifically, whatever signal word or phrase you provide to your readers in the text, must be the first thing that appears on the left-hand margin of the corresponding entry in the Works Cited List.
In-Text Citations: Author-Page Style
MLA format follows the author-page method of in-text citation. This means that the author's last name and the page number(s) from which the quotation or paraphrase is taken must appear in the text, and a complete reference should appear on your Works Cited page. The author's name may appear either in the sentence itself or in parentheses following the quotation or paraphrase, but the page number(s) should always appear in the parentheses, not in the text of your sentence. For example:
Wordsworth stated that Romantic poetry was marked by a "spontaneous overflow of powerful feelings" (263).
Romantic poetry is characterized by the "spontaneous overflow of powerful feelings" (Wordsworth 263).
Wordsworth extensively explored the role of emotion in the creative process (263).
Both citations in the examples above, (263) and (Wordsworth 263), tell readers that the information in the sentence can be located on page 263 of a work by an author named Wordsworth. If readers want more information about this source, they can turn to the Works Cited page, where, under the name of Wordsworth, they would find the following information:
Wordsworth, William. Lyrical Ballads. London: Oxford U.P., 1967. Print.
In-text Citations for Print Sources with Known Author
For Print sources like books, magazines, scholarly journal articles, and newspapers, provide a signal word or phrase (usually the author’s last name) and a page number. If you provide the signal word/phrase in the sentence, you do not need to include it in the parenthetical citation.
Human beings have been described by Kenneth Burke as "symbol-using animals" (3). Human beings have been described as "symbol-using animals" (Burke 3).
These examples must correspond to an entry that begins with Burke, which will be the first thing that appears on the left-hand margin of an entry in the Works Cited:
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. Print.
In-text Citations for Print Sources with No Known Author
When a source has no known author, use a shortened title of the work instead of an author name. Place the title in quotation marks if it's a short work (e.g. articles) or italicize it if it's a longer work (e.g. plays, books, television shows, entire websites) and provide a page number.
We see so many global warming hotspots in North America likely because this region has “more readily accessible climatic data and more comprehensive programs to monitor and study environmental change . . . ” (“Impact of Global Warming” 6).
In this example, since the reader does not know the author of the article, an abbreviated title of the article appears in the parenthetical citation which corresponds to the full name of the article which appears first at the left-hand margin of its respective entry in the Works Cited. Thus, the writer includes the title in quotation marks as the signal phrase in the parenthetical citation in order to lead the reader directly to the source on the Works Cited page. The Works Cited entry appears as follows:
“The Impact of Global Warming in North America.” GLOBAL WARMING: Early Signs. 1999. Web. 23 Mar. 2009.
We'll learn how to make a Works Cited page in a bit, but right now it's important to know that parenthetical citations and Works Cited pages allow readers to know which sources you consulted in writing your essay, so that they can either verify your interpretation of the sources or use them in their own scholarly work.
Author-Page Citation for Classic and Literary Works with Multiple Editions
Page numbers are always required, but additional citation information can help literary scholars, who may have a different edition of a classic work like Marx and Engels's The Communist Manifesto. In such cases, give the page number of your edition (making sure the edition is listed in your Works Cited page, of course) followed by a semicolon, and then the appropriate abbreviations for volume (vol.), book (bk.), part (pt.), chapter (ch.), section (sec.), or paragraph (par.). For example:
Marx and Engels described human history as marked by class struggles (79; ch. 1).
Citing Authors with Same Last Names
Sometimes more information is necessary to identify the source from which a quotation is taken. For instance, if two or more authors have the same last name, provide both authors' first initials (or even the authors' full name if different authors share initials) in your citation. For example:
Although some medical ethicists claim that cloning will lead to designer children (R. Miller 12), others note that the advantages for medical research outweigh this consideration (A. Miller 46).
Citing a Work by Multiple Authors
For a source with three or fewer authors, list the authors' last names in the text or in the parenthetical citation:
Smith, Yang, and Moore argue that tougher gun control is not needed in the United States (76).
The authors state "Tighter gun control in the United States erodes Second Amendment rights" (Smith, Yang, and Moore 76).
For a source with more than three authors, use the work's bibliographic information as a guide for your citation. Provide the first author's last name followed by et al. or list all the last names.
Jones et al. counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).
Or
Legal experts counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (Jones et al. 4).
Or
Jones, Driscoll, Ackerson, and Bell counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).
Citing Multiple Works by the Same Author
If you cite more than one work by a particular author, include a shortened title for the particular work from which you are quoting to distinguish it from the others.
Lightenor has argued that computers are not useful tools for small children ("Too Soon" 38), though he has acknowledged elsewhere that early exposure to computer games does lead to better small motor skill development in a child's second and third year ("Hand-Eye Development" 17).
Additionally, if the author's name is not mentioned in the sentence, you would format your citation with the author's name followed by a comma, followed by a shortened title of the work, followed, when appropriate, by page numbers:
Visual studies, because it is such a new discipline, may be "too easy" (Elkins, "Visual Studies" 63).
Citing Multivolume Works
If you cite from different volumes of a multivolume work, always include the volume number followed by a colon. Put a space after the colon, then provide the page number(s). (If you only cite from one volume, provide only the page number in parentheses.)
. . . as Quintilian wrote in Institutio Oratoria (1: 14-17).
Citing the Bible
In your first parenthetical citation, you want to make clear which Bible you're using (and underline or italicize the title), as each version varies in its translation, followed by book (do not italicize or underline), chapter and verse. For example:
Ezekiel saw "what seemed to be four living creatures," each with faces of a man, a lion, an ox, and an eagle (New Jerusalem Bible, Ezek. 1.5-10).
If future references employ the same edition of the Bible you’re using, list only the book, chapter, and verse in the parenthetical citation.
Citing Indirect Sources
Sometimes you may have to use an indirect source. An indirect source is a source cited in another source. For such indirect quotations, use "qtd. in" to indicate the source you actually consulted. For example:
Ravitch argues that high schools are pressured to act as "social service centers, and they don't do that well" (qtd. in Weisman 259).
Note that, in most cases, a responsible researcher will attempt to find the original source, rather than citing an indirect source.
Citing Non-Print or Sources from the Internet
With more and more scholarly work being posted on the Internet, you may have to cite research you have completed in virtual environments. While many sources on the Internet should not be used for scholarly work (reference the OWL's Evaluating Sources of Information resource), some Web sources are perfectly acceptable for research. When creating in-text citations for electronic, film, or Internet sources, remember that your citation must reference the source in your Works Cited.
Sometimes writers are confused with how to craft parenthetical citations for electronic sources because of the absence of page numbers, but often, these sorts of entries do not require any sort of parenthetical citation at all. For electronic and Internet sources, follow the following guidelines:
•Include in the text the first item that appears in the Work Cited entry that corresponds to the citation (e.g. author name, article name, website name, film name).
•You do not need to give paragraph numbers or page numbers based on your Web browser’s print preview function.
•Unless you must list the website name in the signal phrase in order to get the reader to the appropriate entry, do not include URLs in-text. Only provide partial URLs such as when the name of the site includes, for example, a domain name, like CNN.com or Forbes.com as opposed to writing out http://www.cnn.com or http://www.forbes.com.
Miscellaneous Non-Print Sources
Werner Herzog's Fitzcarraldo stars Herzog's long-time film partner, Klaus Kinski. During the shooting of Fitzcarraldo, Herzog and Kinski were often at odds, but their explosive relationship fostered a memorable and influential film.
During the presentation, Jane Yates stated that invention and pre-writing are areas of rhetoric that need more attention.
In the two examples above “Herzog” from the first entry and “Yates” from the second lead the reader to the first item each citation’s respective entry on the Works Cited page:
Herzog, Werner, dir. Fitzcarraldo. Perf. Klaus Kinski. Filmverlag der Autoren, 1982. Film.
Yates, Jane. "Invention in Rhetoric and Composition." Gaps Addressed: Future Work in Rhetoric and Composition, CCCC, Palmer House Hilton, 2002. Print.
Electronic Sources
One online film critic stated that Fitzcarraldo is "...a beautiful and terrifying critique of obsession and colonialism" (Garcia, “Herzog: a Life”).
The Purdue OWL is accessed by millions of users every year. Its “MLA Formatting and Style Guide” is one of the most popular resources (Stolley et al.).
In the first example, the writer has chosen not to include the author name in-text; however, two entries from the same author appear in the Works Cited. Thus, the writer includes both the author’s last name and the article title in the parenthetical citation in order to lead the reader to the appropriate entry on the Works Cited page (see below). In the second example, “Stolley et al.” in the parenthetical citation gives the reader an author name followed by the abbreviation “et al.,” meaning, “and others,” for the article “MLA Formatting and Style Guide.” Both corresponding Works Cited entries are as follows:
Garcia, Elizabeth. "Herzog: a Life." Online Film Critics Corner. The Film School of New Hampshire, 2 May 2002. Web. 8 Jan. 2009.
Stolley, Karl. "MLA Formatting and Style Guide." The OWL at Purdue. 10 May 2006. Purdue University Writing Lab. 12 May 2006 .
Multiple Citations
To cite multiple sources in the same parenthetical reference, separate the citations by a semi-colon:
. . . as has been discussed elsewhere (Burke 3; Dewey 21).
When a Citation Is Not Needed
Common sense and ethics should determine your need for documenting sources. You do not need to give sources for familiar proverbs, well-known quotations or common knowledge. Remember, this is a rhetorical choice, based on audience. If you're writing for an expert audience of a scholarly journal, for example, they'll have different expectations of what constitutes common knowledge.
Basic In-Text Citation Rules
In MLA style, referring to the works of others in your text is done by using what is known as parenthetical citation. This method involves placing relevant source information in parentheses after a quote or a paraphrase.
General Guidelines
•The source information required in a parenthetical citation depends (1.) upon the source medium (e.g. Print, Web, DVD) and (2.) upon the source’s entry on the Works Cited (bibliography) page.
•Any source information that you provide in-text must correspond to the source information on the Works Cited page. More specifically, whatever signal word or phrase you provide to your readers in the text, must be the first thing that appears on the left-hand margin of the corresponding entry in the Works Cited List.
In-Text Citations: Author-Page Style
MLA format follows the author-page method of in-text citation. This means that the author's last name and the page number(s) from which the quotation or paraphrase is taken must appear in the text, and a complete reference should appear on your Works Cited page. The author's name may appear either in the sentence itself or in parentheses following the quotation or paraphrase, but the page number(s) should always appear in the parentheses, not in the text of your sentence. For example:
Wordsworth stated that Romantic poetry was marked by a "spontaneous overflow of powerful feelings" (263).
Romantic poetry is characterized by the "spontaneous overflow of powerful feelings" (Wordsworth 263).
Wordsworth extensively explored the role of emotion in the creative process (263).
Both citations in the examples above, (263) and (Wordsworth 263), tell readers that the information in the sentence can be located on page 263 of a work by an author named Wordsworth. If readers want more information about this source, they can turn to the Works Cited page, where, under the name of Wordsworth, they would find the following information:
Wordsworth, William. Lyrical Ballads. London: Oxford U.P., 1967. Print.
In-text Citations for Print Sources with Known Author
For Print sources like books, magazines, scholarly journal articles, and newspapers, provide a signal word or phrase (usually the author’s last name) and a page number. If you provide the signal word/phrase in the sentence, you do not need to include it in the parenthetical citation.
Human beings have been described by Kenneth Burke as "symbol-using animals" (3). Human beings have been described as "symbol-using animals" (Burke 3).
These examples must correspond to an entry that begins with Burke, which will be the first thing that appears on the left-hand margin of an entry in the Works Cited:
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. Print.
In-text Citations for Print Sources with No Known Author
When a source has no known author, use a shortened title of the work instead of an author name. Place the title in quotation marks if it's a short work (e.g. articles) or italicize it if it's a longer work (e.g. plays, books, television shows, entire websites) and provide a page number.
We see so many global warming hotspots in North America likely because this region has “more readily accessible climatic data and more comprehensive programs to monitor and study environmental change . . . ” (“Impact of Global Warming” 6).
In this example, since the reader does not know the author of the article, an abbreviated title of the article appears in the parenthetical citation which corresponds to the full name of the article which appears first at the left-hand margin of its respective entry in the Works Cited. Thus, the writer includes the title in quotation marks as the signal phrase in the parenthetical citation in order to lead the reader directly to the source on the Works Cited page. The Works Cited entry appears as follows:
“The Impact of Global Warming in North America.” GLOBAL WARMING: Early Signs. 1999. Web. 23 Mar. 2009.
We'll learn how to make a Works Cited page in a bit, but right now it's important to know that parenthetical citations and Works Cited pages allow readers to know which sources you consulted in writing your essay, so that they can either verify your interpretation of the sources or use them in their own scholarly work.
Author-Page Citation for Classic and Literary Works with Multiple Editions
Page numbers are always required, but additional citation information can help literary scholars, who may have a different edition of a classic work like Marx and Engels's The Communist Manifesto. In such cases, give the page number of your edition (making sure the edition is listed in your Works Cited page, of course) followed by a semicolon, and then the appropriate abbreviations for volume (vol.), book (bk.), part (pt.), chapter (ch.), section (sec.), or paragraph (par.). For example:
Marx and Engels described human history as marked by class struggles (79; ch. 1).
Citing Authors with Same Last Names
Sometimes more information is necessary to identify the source from which a quotation is taken. For instance, if two or more authors have the same last name, provide both authors' first initials (or even the authors' full name if different authors share initials) in your citation. For example:
Although some medical ethicists claim that cloning will lead to designer children (R. Miller 12), others note that the advantages for medical research outweigh this consideration (A. Miller 46).
Citing a Work by Multiple Authors
For a source with three or fewer authors, list the authors' last names in the text or in the parenthetical citation:
Smith, Yang, and Moore argue that tougher gun control is not needed in the United States (76).
The authors state "Tighter gun control in the United States erodes Second Amendment rights" (Smith, Yang, and Moore 76).
For a source with more than three authors, use the work's bibliographic information as a guide for your citation. Provide the first author's last name followed by et al. or list all the last names.
Jones et al. counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).
Or
Legal experts counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (Jones et al. 4).
Or
Jones, Driscoll, Ackerson, and Bell counter Smith, Yang, and Moore's argument by noting that the current spike in gun violence in America compels law makers to adjust gun laws (4).
Citing Multiple Works by the Same Author
If you cite more than one work by a particular author, include a shortened title for the particular work from which you are quoting to distinguish it from the others.
Lightenor has argued that computers are not useful tools for small children ("Too Soon" 38), though he has acknowledged elsewhere that early exposure to computer games does lead to better small motor skill development in a child's second and third year ("Hand-Eye Development" 17).
Additionally, if the author's name is not mentioned in the sentence, you would format your citation with the author's name followed by a comma, followed by a shortened title of the work, followed, when appropriate, by page numbers:
Visual studies, because it is such a new discipline, may be "too easy" (Elkins, "Visual Studies" 63).
Citing Multivolume Works
If you cite from different volumes of a multivolume work, always include the volume number followed by a colon. Put a space after the colon, then provide the page number(s). (If you only cite from one volume, provide only the page number in parentheses.)
. . . as Quintilian wrote in Institutio Oratoria (1: 14-17).
Citing the Bible
In your first parenthetical citation, you want to make clear which Bible you're using (and underline or italicize the title), as each version varies in its translation, followed by book (do not italicize or underline), chapter and verse. For example:
Ezekiel saw "what seemed to be four living creatures," each with faces of a man, a lion, an ox, and an eagle (New Jerusalem Bible, Ezek. 1.5-10).
If future references employ the same edition of the Bible you’re using, list only the book, chapter, and verse in the parenthetical citation.
Citing Indirect Sources
Sometimes you may have to use an indirect source. An indirect source is a source cited in another source. For such indirect quotations, use "qtd. in" to indicate the source you actually consulted. For example:
Ravitch argues that high schools are pressured to act as "social service centers, and they don't do that well" (qtd. in Weisman 259).
Note that, in most cases, a responsible researcher will attempt to find the original source, rather than citing an indirect source.
Citing Non-Print or Sources from the Internet
With more and more scholarly work being posted on the Internet, you may have to cite research you have completed in virtual environments. While many sources on the Internet should not be used for scholarly work (reference the OWL's Evaluating Sources of Information resource), some Web sources are perfectly acceptable for research. When creating in-text citations for electronic, film, or Internet sources, remember that your citation must reference the source in your Works Cited.
Sometimes writers are confused with how to craft parenthetical citations for electronic sources because of the absence of page numbers, but often, these sorts of entries do not require any sort of parenthetical citation at all. For electronic and Internet sources, follow the following guidelines:
•Include in the text the first item that appears in the Work Cited entry that corresponds to the citation (e.g. author name, article name, website name, film name).
•You do not need to give paragraph numbers or page numbers based on your Web browser’s print preview function.
•Unless you must list the website name in the signal phrase in order to get the reader to the appropriate entry, do not include URLs in-text. Only provide partial URLs such as when the name of the site includes, for example, a domain name, like CNN.com or Forbes.com as opposed to writing out http://www.cnn.com or http://www.forbes.com.
Miscellaneous Non-Print Sources
Werner Herzog's Fitzcarraldo stars Herzog's long-time film partner, Klaus Kinski. During the shooting of Fitzcarraldo, Herzog and Kinski were often at odds, but their explosive relationship fostered a memorable and influential film.
During the presentation, Jane Yates stated that invention and pre-writing are areas of rhetoric that need more attention.
In the two examples above “Herzog” from the first entry and “Yates” from the second lead the reader to the first item each citation’s respective entry on the Works Cited page:
Herzog, Werner, dir. Fitzcarraldo. Perf. Klaus Kinski. Filmverlag der Autoren, 1982. Film.
Yates, Jane. "Invention in Rhetoric and Composition." Gaps Addressed: Future Work in Rhetoric and Composition, CCCC, Palmer House Hilton, 2002. Print.
Electronic Sources
One online film critic stated that Fitzcarraldo is "...a beautiful and terrifying critique of obsession and colonialism" (Garcia, “Herzog: a Life”).
The Purdue OWL is accessed by millions of users every year. Its “MLA Formatting and Style Guide” is one of the most popular resources (Stolley et al.).
In the first example, the writer has chosen not to include the author name in-text; however, two entries from the same author appear in the Works Cited. Thus, the writer includes both the author’s last name and the article title in the parenthetical citation in order to lead the reader to the appropriate entry on the Works Cited page (see below). In the second example, “Stolley et al.” in the parenthetical citation gives the reader an author name followed by the abbreviation “et al.,” meaning, “and others,” for the article “MLA Formatting and Style Guide.” Both corresponding Works Cited entries are as follows:
Garcia, Elizabeth. "Herzog: a Life." Online Film Critics Corner. The Film School of New Hampshire, 2 May 2002. Web. 8 Jan. 2009.
Stolley, Karl. "MLA Formatting and Style Guide." The OWL at Purdue. 10 May 2006. Purdue University Writing Lab. 12 May 2006 .
Multiple Citations
To cite multiple sources in the same parenthetical reference, separate the citations by a semi-colon:
. . . as has been discussed elsewhere (Burke 3; Dewey 21).
When a Citation Is Not Needed
Common sense and ethics should determine your need for documenting sources. You do not need to give sources for familiar proverbs, well-known quotations or common knowledge. Remember, this is a rhetorical choice, based on audience. If you're writing for an expert audience of a scholarly journal, for example, they'll have different expectations of what constitutes common knowledge.
Presentation Sign Up
Tuesday 30-
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Thursday 2-
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Tuesday 7-
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Thursday 2-
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Tuesday 7-
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Thursday, November 11, 2010
11/12
Earth Days Documentary:
http://www.pbs.org/wgbh/americanexperience/films/earthdays/player/
How does this video clip relate to our class? To your projects? What connections do you see with your readings so far?
http://www.pbs.org/wgbh/americanexperience/films/earthdays/player/
How does this video clip relate to our class? To your projects? What connections do you see with your readings so far?
Tuesday, November 9, 2010
Journals due Thursday
Your journal should include:
-From Walden; or, Life in the Woods, by Henry David Thoreau, pp. 9-25 (Journal)
-“Speech at Grand Canyon, Arizona, May 6, 1903,” by Teddy Roosevelt (Elizabeth Melander)
“Polemic: Industrial Tourism and the National Parks,” by Edward Abbey, p. 413
-from Silent Spring, by Rachel Carson, p. 366
from Having Faith, by Sandra Steingraber, p. 929 (Journal on one)
-“Smokey the Bear Sutra,” by Gary Snyder, p. 473 (Journal)
-“Fecundity,” by Annie Dillard, p. 531
from A Sand County Almanac, by Aldo Leopold, pp. 265-281
(Journal)
-From Walden; or, Life in the Woods, by Henry David Thoreau, pp. 9-25 (Journal)
-“Speech at Grand Canyon, Arizona, May 6, 1903,” by Teddy Roosevelt (Elizabeth Melander)
“Polemic: Industrial Tourism and the National Parks,” by Edward Abbey, p. 413
-from Silent Spring, by Rachel Carson, p. 366
from Having Faith, by Sandra Steingraber, p. 929 (Journal on one)
-“Smokey the Bear Sutra,” by Gary Snyder, p. 473 (Journal)
-“Fecundity,” by Annie Dillard, p. 531
from A Sand County Almanac, by Aldo Leopold, pp. 265-281
(Journal)
Final Chapbook/Zine
Final Portfolio
Due: the day of the final
For reference:
http://en.wikipedia.org/wiki/Zine
http://en.wikipedia.org/wiki/Chapbook
Due: the day of the final
A portfolio is your chance to look back on your writing from the semester and reflect upon it. Our class portfolio will be in the form of a chapbook or zine.
Chapbook/Zine:
Your chapbook/zine will be a collection of your favorite short journal/blog entries, and a short reflection. Please feel free to get creative with the presentation of your work.
- 3 "Reading Like a Writer" entries
- 3 photosa
- Imitation poem/essay (for either Blood Dazzler or your rhetorical analysis)
- 3 in class writings
For reference:
http://en.wikipedia.org/wiki/Zine
http://en.wikipedia.org/wiki/Chapbook
11/09/10
-Guest speaker
-Leopold/Dillard
-Introduce Portfolio Assignment (if there's time)

http://production.americanearth.loa.n4m.net/aldo-leopold/
"Ecology was the great emergent science of the 20th century, and its central insight was that everything is connected. Aldo Leopold (1887–1948) is often described as the father of environmental ethics, and his “land ethic” is a landmark in American philosophical thought. But the idea that “a thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community” is as much a pragmatic insight as an ethical one, and it grew from a lifetime out in the natural world. After a rural midwestern childhood he went to Yale’s Forestry School and then entered the infant U.S. Forest Service, both institutions under the sway of Gifford Pinchot’s forthright utilitarianism. Much of his early career was spent in the desert Southwest, and it was there that he began to develop the principles that made him the founder of wildlife management in the United States. His 1933 textbook Game Management is still in print—and so, of course, is his classic account, in “Thinking Like a Mountain,” of the day he changed his mind about killing wolves, the key Damascus Road story of American environmental conversion. In 1924, he helped to preserve the Gila Wilderness, part of New Mexico’s Gila National Forest; in 1935 he joined Bob Marshall, Benton MacKaye, and others in founding The Wilderness Society.
He was moving beyond Pinchot—or perhaps synthesizing the warring impulses of Pinchot and his old adversary John Muir—when he decided that effective conservation required truly wild lands as a baseline. But his vision went well beyond wilderness. In many ways his “land ethic” offered an early attempt to ground environmentalism in every action and decision. It was his words in A Sand County Almanac (1949) that would provide his greatest legacy: the explicit recognition that the human community needed to extend its boundaries to include “soils, waters, plants, and animals, or collectively: the land.” He died fighting a brush fire near his Sand County shack"-American Earth course website
In groups: Pull out
-a favorite quote
-a question
-and a connection to your Casey Land Project
from one of the texts.
-Leopold/Dillard
-Introduce Portfolio Assignment (if there's time)

http://production.americanearth.loa.n4m.net/aldo-leopold/
"Ecology was the great emergent science of the 20th century, and its central insight was that everything is connected. Aldo Leopold (1887–1948) is often described as the father of environmental ethics, and his “land ethic” is a landmark in American philosophical thought. But the idea that “a thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community” is as much a pragmatic insight as an ethical one, and it grew from a lifetime out in the natural world. After a rural midwestern childhood he went to Yale’s Forestry School and then entered the infant U.S. Forest Service, both institutions under the sway of Gifford Pinchot’s forthright utilitarianism. Much of his early career was spent in the desert Southwest, and it was there that he began to develop the principles that made him the founder of wildlife management in the United States. His 1933 textbook Game Management is still in print—and so, of course, is his classic account, in “Thinking Like a Mountain,” of the day he changed his mind about killing wolves, the key Damascus Road story of American environmental conversion. In 1924, he helped to preserve the Gila Wilderness, part of New Mexico’s Gila National Forest; in 1935 he joined Bob Marshall, Benton MacKaye, and others in founding The Wilderness Society.
He was moving beyond Pinchot—or perhaps synthesizing the warring impulses of Pinchot and his old adversary John Muir—when he decided that effective conservation required truly wild lands as a baseline. But his vision went well beyond wilderness. In many ways his “land ethic” offered an early attempt to ground environmentalism in every action and decision. It was his words in A Sand County Almanac (1949) that would provide his greatest legacy: the explicit recognition that the human community needed to extend its boundaries to include “soils, waters, plants, and animals, or collectively: the land.” He died fighting a brush fire near his Sand County shack"-American Earth course website
In groups: Pull out
-a favorite quote
-a question
-and a connection to your Casey Land Project
from one of the texts.
Tuesday, November 2, 2010
November 2: Tuesday
Casey Land Group Meetings-in class
November 4: Thursday
RHETORICAL ANALYSIS DUE
____________________________________________
November 9: Tuesday:
Introduce Portfolio Assignment
Guest Speaker-Caseyland
“Fecundity,” by Annie Dillard, p. 531
from A Sand County Almanac, by Aldo Leopold, pp. 265-281
(Journal)
November 11: Thursday:
Earth Day Video
“Millions Join Earth Day Observances Across the Nation,” by Josephy
Lelyveld p. 484
____________________________________________
November 17: Tuesday
Group Conferences/Group Workday-(In class)
November 19: Thursday
Group Workday, No Class
__________________________________________
November 30: Tuesday
Casey Land Project Presentations
The Song of the White Pelican,” by Jack Turner p. 835
Casey Land Group Meetings-in class
November 4: Thursday
RHETORICAL ANALYSIS DUE
____________________________________________
November 9: Tuesday:
Introduce Portfolio Assignment
Guest Speaker-Caseyland
“Fecundity,” by Annie Dillard, p. 531
from A Sand County Almanac, by Aldo Leopold, pp. 265-281
(Journal)
November 11: Thursday:
Earth Day Video
“Millions Join Earth Day Observances Across the Nation,” by Josephy
Lelyveld p. 484
____________________________________________
November 17: Tuesday
Group Conferences/Group Workday-(In class)
November 19: Thursday
Group Workday, No Class
__________________________________________
November 30: Tuesday
Casey Land Project Presentations
The Song of the White Pelican,” by Jack Turner p. 835
Casey Land Proposal Project

Last fall, a 1946 ISU engineering graduate donated 76 acres to the ISU Creative Writing Department. The land, valued at $201,000, was donated to the university by Everett Casey of Detroit, Michigan. He asked that the land be preserved in its natural state. Casey took a writing class at Iowa State that he credits as being fundamental to what he later did as a Detroit-area attorney and owner of a manufacturing company.
For your next assignment, we’re inviting you to visit the Everett Casey Nature Reserve. You will work in groups to research either the history of the land or the ecology of the land or possible uses for the land. By the end of this unit you will present us with either an analysis of the land or a plan for its use. Your Casey Land “Almanac” will consist of a map that you’ve created, a visual, and either a four page paper or a website. The final week of class we will be presenting these almanac projects in the large lecture classroom.
In order to give you more direction, Steve, Brenna, and I have broken up the assignment into six different focus groups. I provided several questions for each category in order to get you started but do not limit yourself to these prompts.
1-CSA (Community Supported Agriculture)-If we were to set up a CSA on the Casey Land site what steps would we take? What considerations would we have to take into account? How could we fund a CSA project? How could it benefit the creative writing program and the community?
2-Habitat Management-What species do you see on the land and how can we most effectively create a fruitful habitat for those species? Do you notice any invasive plant or animal species? What is the best way to moderate the plant and/or animal life on the property?
3-Prairie Restoration-If we were to restore part of the land to native prairie, what steps would we take? How would we fund the restoration of the prairie? What groups would we contact? What are some of the benefits of a prairie restoration project?
4-History-For this category I want you to examine some of the natural and human history of the land. What has happened on the land so far? Your final project would be a website rather than a proposal paper.
5-Creek Management-What plant or animal species do you see in the creek? How can we provide an effective habitat for them? What impact have humans had on the creek? How can we manage erosion and other effects of having water on the land?
6-Outdoor Classroom-How could the land be used as an outdoor learning space? What aspects of the land would you want to include in some sort of outdoor classroom? How would you go about creating a learning space on the land?

Links of Interest:
http://www.news.iastate.edu/news/2009/sep/MFApreserve
http://www.foundation.iastate.edu/site/News2?page=NewsArticle&id=8443
http://blogs.universitybusiness.com/2009/10/university-nature-preserves-inspire-students.html
On Saturday:
Meet at transportation hub behind stadium at 10 am. Free parking. You MUST ride with us. Because it is private property, you CANNOT be there without Eng. Dept. faculty.
Feel free to bring food and water, but do not take it out of the parking lot.
You'll be led around according to which topic you choose.
Wear old jeans, shoes, shirts. Stuff you won't mind getting dirty. Come prepared for rain. Check the weather beforehand.
Bring a camera. One person should bring a field guide.
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